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Los Angeles
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Theater Review: ALANIS MORISSETTE’S JAGGED LITTLE PILL: THE MUSICAL (Chance Theater / Anaheim)
A PILL THAT’S HARD TO SWALLOW Chance Theater’s committed cast sells the songs in this jukebox musical, but can’t overcome a sprawling script When Alanis Morissette released Jagged Little Pill in 1995, it sold thirty-three million copies because it sounded like one woman refusing to behave. She crammed syllables into measures that couldn’t hold them,…
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Theater Review: ROMEO AND JULIET (Will Geer Theatricum Botanicum / Topanga)
A TIMELESS TRAGEDY TAKES ON A GILDED GLOW A beautifully conceived update proves Shakespeare’s young lovers lose none of their power in a new era There’s something magical about sitting in the woods at Will Geer Theatricum Botanicum as the sun sets, when countless crickets and frogs add their songs to the sounds of nature…
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Concert Review: YOSHIKI: CLASSICAL 2026 WORLD TOUR (“Violet Night” / Disney Hall / LA)
PURPLE REIGN An evening of symphonic rock, devoted fans, and restless creativity celebrated an artist still refusing to slow down Under doctor’s orders to leave the drums behind following his third cervical-spine surgery in 2024, Yoshiki did what one might expect from a musician whose career has been built on grandeur, defiance, and theatrical risk:…
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Theater Review: THE IMPORTANCE OF BEING EARNEST (Long Beach Shakespeare Company)
MORE VICTORIAN THAN NEW ROMANTIC Long Beach Shakespeare Company delivers Wilde’s classic with clarity and charm, even if its concept never fully blossoms Oscar Wilde’s The Importance of Being Earnest hardly needs reinvention. More than a century after its premiere, its razor-sharp epigrams, social satire, and exquisitely constructed farce remain as funny as ever. Long…
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Theater Review: F**KING STRANGERS (Echo Theater Company / Los Angeles)
NO STRINGS ATTACHED? THINK AGAIN Erik Patterson’s provocative world premiere boasts superb performances but mistakes repetition for depth In F**king Strangers, receiving its world premiere from Echo Theater Company, playwright Erik Patterson begins with an arresting image: a terrified young man stranded beside a freeway, begging his mother to stay on the phone until help…
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Theater Preview: PROOF (El Portal Theatre / North Hollywood)
THE PROOF IS IN THE FAMILY Ed Begley Jr. and daughter Hayden Begley bring David Auburn’s Pulitzer Prize-winning drama to the stage for a four-performance benefit supporting Parkinson’s research Jason Jeske presents a special four-performance engagement of David Auburn’s Pulitzer Prize-winning Proof at the El Portal Theatre, starring Ed Begley Jr. and his daughter, Hayden…
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Theater Review: TREASURE ISLAND (Will Geer Theatricum Botanicum / Topanga)
WHERE THE WILD THINGS ARRRR A spirited cast and an unforgettable setting help this classic weather a few rough seas in Ellen Geer’s adaptation Driving up the twisty road along Topanga Creek to Will Geer’s Theatricum Botanicum for the first time and walking into the sprawling wooded compound, I was already halfway charmed before the…
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Movie Review: HARRY POTTER AND THE SORCERER’S STONE (Shared Reality at Cosm)
THE BEST MAGIC KNOWS WHEN TO STOP Restraint proves more magical than excess Early in Harry Potter and the Sorcerer’s Stone (2001), Vernon and Petunia Dursley barricade the house against the acceptance letters from Hogwarts. The letters come anyway, down the chimney, through the windows, a blizzard of paper that no locked door can hold….
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Exhibit Review: MACHINE DREAMS: RAINFOREST (DATALAND / Los Angeles)
ALL SENSATION, LITTLE REVELATION A high-tech amusement park disguised as a museum. While the world loses its collective mind over artificial intelligence’s encroachment on every facet of our lives, with calls to restrict AI, Refik Anadol Studio has plunged wholeheartedly in the opposite direction with the opening of DATALAND, the world’s first Museum of AI…
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Theater Review: ANOTHER DISTRACTION FROM THE EPSTEIN FILES (Hollywood Fringe Festival)
THE POLITICS OF MARRIAGE Strong writing and performances outweigh a staging that plays it safe The worst that can be said of Ray Richmond‘s Another Distraction From the Epstein Files at Bad Ladder is that it’s not very “fringy.” Richmond’s smart two-hander is a homage to the works of Clifford Odets (1906–1963), a classic kitchen…
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Exhibit Review: MARILYN MONROE: HOLLYWOOD ICON (Academy Museum of Motion Pictures / LA)
THE ART OF BEING MARILYN The woman, the myth, and the image she carefully controlled Superstar Marilyn Monroe was born one hundred years ago this summer. In honor of the centennial of her birth, the Academy Museum of Motion Pictures presents Marilyn Monroe: Hollywood Icon, now on display through Feb. 28, 2027. Covering Monroe’s entire…
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Theater Review: JIMMY STEWART ON THE FRONT OF LIFE (Hollywood Fringe Festival / Los Angeles)
THE WAR THAT FOLLOWED HIM HOME Rather than celebrate a legend, Brian Rohan reveals the man still haunted by war At the outset of World War II, Jimmy Stewart (1908–1997) became the first major Hollywood star to enlist. A flying enthusiast from early on, Stewart was already a licensed pilot when he joined the Army…
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Theater Review: MY ONE WOMAN SHOW (THE SEARCH FOR A TRUTHFUL MOMENT) (Madnani Theatre / Hollywood Fringe Festival)
ONE MAN, MANY TRUTHS An extraordinary performer turns theatrical self-examination into something unexpectedly profound Stefan Marks is a spellbinding storyteller, and My One Woman Show (The Search for a Truthful Moment) at The Hollywood Fringe is far more than a clever send-up of the solo-performance genre. Beginning as a funny, self-aware examination of the agonies of…
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Theater Review: ARMY BRAT (Broadwater Second Stage / Hollywood Fringe Festival)
LIFE IN A BLENDER A chaotic solo show anchored by an engaging performer. Kelly Mullis‘s solo show Army Brat at the Broadwater Second Stage carries a very accurate subtitle: “The Fever Dream into the Life of a Military Kid.” As penned by the performer, the show is a splattering of her life, her father’s life,…
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Music Review: GUSTAVO DUDAMEL: CELEBRATING THE MUSICIANS OF THE LA PHIL (Walt Disney Concert Hall / Los Angeles)
THE STARS WERE HERE ALL ALONG A celebration of the musicians who make the LA Phil extraordinary If you come to the LA Phil often enough, you’ll begin to recognize the individual players. Now consider how often you see them take center stage. Amazing players, all of them, but it’s unusual for them to be…
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Theater Review: DIE WALKÜRE (LA Phil / Disney Hall / Los Angeles)
A RING BROKEN OUT OF SHAPE A misguided presentation undermines Wagner’s masterpiece and Gustavo Dudamel’s farewell-season ambitions The Los Angeles Philharmonic’s presentation of Richard Wagner’s Die Walküre, conducted by Gustavo Dudamel during the final month of his tenure as Music and Artistic Director, should have been one of the crown jewels of the season. Instead,…
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Theater Review: THEFT OF FIRE (The Actors Company / Hollywood Fringe Festival)
BURNED BY AMBITION Sometimes the bravest artistic choice is asking for help. In Theft of Fire, Garrett Hildebrandt is presentable, well-spoken, talented, and smart. However, he’s not as talented as he believes himself to be and not smart enough to recognize that. (It’s excusable; he’s young.) Hildebrandt strides the stage at The Actors Company Let…
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Theater Review: THE DOG LOG (The Style Den / Marina Del Rey)
FROM BARK TO HEART A barking-dog complaint grows into something far more interesting I have been a fan of Richard Lucas since I reviewed his short, humorous, autobiographical novel The Dog Log, which chronicles life next door to two constantly yapping Yorkies and their hoarding, annoying owner as told through the device of a “dog…
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Theater Review: FALL OF THE ROMAN REPUBLIC… ON A SHOESTRING BUDGET (Actors Company / Hollywood Fringe Festival)
ET TU, SHOESTRING? An ambitious historical comedy collapses under its own weight— but not without flashes of promise There are many different reasons for failure. All of them sting. The Fall of the Roman Republic… On a Shoestring Budget, now striding the stage at the Actors Company’s Other Space Theatre, is a failure. But a…
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Theater Review: TRENCH (Broadwater Studio / Hollywood Fringe)
UNDER PRESSURE Ann Noble directs Ann Loud in a nicely twisted mystery set in a multi-crew submersible some 30,000 deep. Ann Loud, who penned the script and plays all five characters, skillfully captures the raw nerves of the crew and captain as they struggle to set the world’s record for longest sustained deep dive while…



















