BETRAYED BY THE KISS OF BROADWAY
In the small confines of the No Exit Café in Rogers Park, one might have expected a more intimate, low-key version of Jesus Christ Superstar, especially considering that the production is billed as acoustic and unplugged. While the singers aren’t mic’d, the four-piece rock/funk band is definitely amped and electrified. The resulting sound lacks balance, with the band sometimes drowning out the singers. Director Fred Anzevino has opted for all the energy and volume of a much bigger production that simply feels overwhelming in this venue.
Even pared down to thirteen cast members, the ensemble is literally everywhere: in front of you, behind you, in the aisles, and on the stage. Only Maxwell J. DeTogne as the happy hippie Jesus really succeeds in playing his role with any subtlety.
In contrast, Donterrio Johnson as Judas gives a frighteningly frantic, anguished and uncomfortable performance. The cast sings and dances well, particularly the more gospel-infused songs, but it’s all just a bit too much (and too camp) at times. Perhaps they’ll calm down a bit after opening night.
Bill Morey’s period costume designs vary from loose hippie garb and gangster chic to disco and drag queen. Many are not flattering, such as the see-through mesh t-shirts worn by some of the male performers. Brock Alter’s mostly psychedelic visual projections are baffling—even a little distracting. Unless you’re already a fan of Jesus Christ Superstar, this production isn’t likely to woo you.
photos by Adam Veness
Jesus Christ Superstar
Theo Ubique Cabaret Theatre
No Exit Café, 6970 N. Glenwood Ave.
Thurs at 7:30; Fri & Sat at 8; Sun at 7
ends on April 12, 2015 EXTENDED to May 17, 2015
for tickets, call 800.595.4849 visit Theo U
for more shows, visit Theatre in Chicago
