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Exhibit Review: MACHINE DREAMS: RAINFOREST (DATALAND / Los Angeles)
ALL SENSATION, LITTLE REVELATION A high-tech amusement park disguised as a museum. While the world loses its collective mind over artificial intelligence’s encroachment on every facet of our lives, with calls to restrict AI, Refik Anadol Studio has plunged wholeheartedly in the opposite direction with the opening of DATALAND, the world’s first Museum of AI…
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Cabaret Review: LAURIE ROLDAN – A SONG FOR YOU: THE MUSIC OF KAREN CARPENTER & FRIENDS! (The Green Room 42 / New York)
A TRIBUTE WITH HEART Laurie Roldan honors Karen Carpenter with affection, authenticity, and grace. Singer Laurie Roldan could easily be elected president of the Karen Carpenter Appreciation Society. Her concert tribute at The Green Room 42, A Song for You: The Music of Karen Carpenter & Friends!, reflects a lifelong devotion to the singer/drummer while…
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Music: BRYCE EDWARDS: MY PERFORMER OF THE YEAR
THE OLD SOUL OF THE NEW CENTURY Singer, multi-instrumentalist, vaudevillian, songwriter, musical historian—and one of today’s most irresistible entertainers Halfway through 2026 may seem a little early to name a Performer of the Year, but I’m comfortable making the call. Bryce Edwards has earned it. I’m forever crawling under the table to retrieve my socks…
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HOW DO YOU CHOOSE YOUR FIRST KALIMBA?
Welcome to the enchanting world of the kalimba, a captivating instrument that has charmed musicians and hobbyists alike. Known for its gentle, melodic tones, the kalimba is easy to learn and offers a delightful playing experience. With a variety of options available, selecting the right kalimba can feel overwhelming. From compact 10-key models to expansive…
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Theater Review: ICEBOY! OR THE COMPLETELY UNTRUE STORY OF HOW EUGENE O’NEILL CAME TO WRITE “THE ICEMAN COMETH” (The Goodman Theatre / Chicago)
THE HAIRY APE COMETH This gleefully unhinged musical comedy is a strong play’s journey into wisecracks The Goodman closes out its centennial season in spectacular fashion with a big, brash new musical composed by Mark Hollmann (Urinetown), lyrics by Hollmann and Jay Reiss (Spelling Bee), and book by Reiss and Erin Quinn Purcell. Directed by…
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Dance Review: DON QUIXOTE (American Ballet Theatre / Metropolitan Opera House / New York)
VIVA DON QUIXOTE! A joyful production welcomes seasoned ballet lovers and newcomers alike For many people today, going to see a ballet is a fun idea that no longer has the air of distancing class systems and forbidding hierarchy. Gone are the days when prevailing wisdom said classical dance can only truly be appreciated by…
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Theater Review: ANOTHER DISTRACTION FROM THE EPSTEIN FILES (Hollywood Fringe Festival)
THE POLITICS OF MARRIAGE Strong writing and performances outweigh a staging that plays it safe The worst that can be said of Ray Richmond‘s Another Distraction From the Epstein Files at Bad Ladder is that it’s not very “fringy.” Richmond’s smart two-hander is a homage to the works of Clifford Odets (1906–1963), a classic kitchen…
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Exhibit Review: MARILYN MONROE: HOLLYWOOD ICON (Academy Museum of Motion Pictures / LA)
THE ART OF BEING MARILYN The woman, the myth, and the image she carefully controlled Superstar Marilyn Monroe was born one hundred years ago this summer. In honor of the centennial of her birth, the Academy Museum of Motion Pictures presents Marilyn Monroe: Hollywood Icon, now on display through Feb. 28, 2027. Covering Monroe’s entire…
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Theater Review: ST. NICHOLAS (Black Button Eyes / City Lit / Chicago)
CRITIC’S BITE A gripping solo performance anchors this haunting tale I had not encountered arithmomania in any form of entertainment media in well over two decades. Now it’s popped up twice in a few weeks on two different Chicago stages: in Kevin Douglas’ hilarious Untitled Vampire Play at Lookingglass, and now in Black Button Eyes‘ sharp…
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Concert Review: TONY DANZA AND THE STARS OF TOMORROW (The Triad Theatre / New York City)
THEY’RE GONNA SHINE Young performers take center stage with heart and hope A sold-out fundraiser on Feb. 26 at The Triad offered a fast-moving night of entertainment and an emotionally moving glimpse into the Stars of Tomorrow Project, introducing many of its current and former participants through song, dance, and heartfelt testimonials. Opening eyes and…
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Concert Review: CHANGED FOR GOOD: A CELEBRATION OF STEPHEN SCHWARTZ (The New York Pops / Carnegie Hall)
NO PLACE LIKE SCHWARTZ A star-studded birthday gala honors one of musical theater’s most enduring songwriters The New York Pops celebrated its 43rd Birthday Gala at Carnegie Hall on April 27 with Changed for Good: A Celebration of Stephen Schwartz, honoring the Academy, Grammy, and Tony Award-winning composer-lyricist. Led by music director Steven Reineke, an…
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Theater Review: NATIVE GARDENS (Theatre EVOLVE / The Den Theatre / Chicago)
BAD FENCES MAKE GOOD COMEDY Big laughs bloom from a tiny patch of disputed ground. In a tony suburb of Washington, D.C., a young upwardly mobile Hispanic couple move into their first house, a charming fixer-upper with a small backyard. Pablo Del Valle (Rio Soliz Ragazzone) is an attorney—the only one of color—in a prestigious…
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Theater Review: A PEOPLE (Arts Judaica & YI Love Jewish at Theater Wit / Chicago)
THE WEIGHT OF HERITAGE A thoughtful work that doesn’t always come together An unusual and ambitious production, L.M. Feldman’s A People is a sort of theatrical mosaic. Mounted by Arts Judaica and YI Love Jewish and currently playing at Theater Wit in Lakeview, the show attempts to condense five thousand years of Jewish culture and…
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Concert Review: 6TH ANNUAL BROADWAY IN THE PARK (Signature Theatre & Wolf Trap / Vienna, VA)
A BROADWAY BLOCK PARTY Tituss Burgess, Heather Headley, and Signature Theatre turn a summer concert into a joyous celebration of musical theater There are summer evenings at Wolf Trap that entertain, and then there are evenings that remind you why Broadway music continues to resonate across generations. Signature Theatre’s sixth annual Broadway in the Park…
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Theater Review: MEN OF SOUL (Black Ensemble Theater / Chicago)
THE STUFF OF LEGENDS A musical revue that honors both talent and tenacity Nine days after the euphoric high of Juneteenth and the jubilant opening-day celebrations of the Obama Center, Black Ensemble Theater (BE) opened its revival of Men of Soul. Written and directed by Daryl D. Brooks, longtime BE stalwart and now the company’s…
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Concert Review: A QUIET CELEBRATION (Paul Simon in Concert / Tanglewood / Lenox, MA)
STILL SINGING AFTER ALL THESE YEARS Though age has softened his voice, Paul Simon’s artistry remains undiminished Paul Simon has spanned numerous musical styles throughout his long career. His Tanglewood appearance, part of his Quiet Celebration tour, continues to demonstrate his range and versatility. Backed by a ten-piece band and occasionally joined by his wife,…
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Opera Review: ADRIANA LECOUVREUR (Opera Festival of Chicago / North Shore Center for the Performing Arts in Skokie)
A VERISMO MIXED BAG Opera Festival of Chicago tackles a neglected verismo work with admirable ambition but uneven results Opera Festival of Chicago’s sixth season features the company’s characteristic blend of classic and lesser-known verismo operas. Francesco Cilea’s Adriana Lecouvreur, which falls into the latter category, hasn’t been performed in Chicago since Renata Tebaldi sang the…
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WHY A BOX OFFICE HIT CAN STILL LOSE MONEY
A packed cinema still has a particular magic. The lights drop, the audience quiets, and for two hours a film becomes a shared event rather than a file on a screen. That communal charge is one reason box office numbers remain so seductive. When a movie opens to a huge weekend, the headline seems to…
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